Upon A Painted Gentlewoman

Come, skilful Lupo, now, and take
Thy bice, thy umber, pink, and lake;
And let it be thy pencil's strife,
To paint a Bridgeman to the life:
Draw him as like too, as you can,
An old, poor, lying, flattering man:
His cheeks bepimpled, red and blue;
His nose and lips of mulberry hue.
Then, for an easy fancy, place
A burling iron for his face:
Next, make his cheeks with breath to swell,
And for to speak, if possible:
But do not so, for fear lest he
Should by his breathing, poison thee.

Am I despised, because you say;
And I dare swear, that I am gray?
Know, Lady, you have but your day!
And time will come when you shall wear
Such frost and snow upon your hair;
And when, though long, it comes to pass,
You question with your looking-glass,
And in that sincere crystal seek
But find no rose-bud in your cheek,
Nor any bed to give the shew
Where such a rare carnation grew:
Ah!then too late, close in your chamber keeping,
It will be told
That you are old,
By those true tears you're weeping.

Fair was the dawn, and but e'en now the skies
Show'd like to cream inspir'd with strawberries,
But on a sudden all was chang'd and gone
That smil'd in that first sweet complexion.
Then thunder-claps and lightning did conspire
To tear the world, or set it all on fire.
What trust to things below, whenas we see,
As men, the heavens have their hypocrisy?

To paint the fiend, Pink would the devil see;
And so he may, if he'll be rul'd by me;
Let but Pink's face i' th' looking-glass be shown,
And Pink may paint the devil's by his own.

Crooked you are, but that dislikes not me:
So you be straight where virgins straight should be.

If men can say that beauty dies,
Marbles will swear that here it lies.
If, reader, then thou canst forbear
In public loss to shed a tear,
The dew of grief upon this stone
Will tell thee pity thou hast none.