Matthew Prior

The pride of every grove I chose,
The violet sweet and lily fair,
The dappled pink and blushing rose,
To deck my charming Cloe's hair.

At morn the nymph vouchsafed to place
Upon her brow the various wreath;
The flowers less blooming than her face,
The scent less fragrant than her breath.

The flowers she wore along the day,
And every nymph and shepherd said,
That in her hair they look'd more gay
Than glowing in their native bed.

Undress'd at evening, when she found
Their odours lost, their colours past,
She changed her look, and on the ground
Her garland and her eyes she cast.

That eye dropp'd sense distinct and clear
As any Muse's tongue could speak,
When from its lid a pearly tear
Ran trickling down her beauteous cheek.<...

When hungry wolves had trespass'd on the fold,
And the robb'd shepherd his sad story told,
"Call in Alcides," said a crafty priest,
"Give him one half and he'll secure the rest."
No, said the shepherd, if the Fates decree,
By ravaging my flock to ruin me,
To their commands I willingly resign,
Power is their character, and patience mine;
Though troth, to me there seems but little odds
Who prove the greatest robbers, wolves or gods.

When Kneller's works, of various grace,
Were to fair Venus shown,
The Goddess spied in every face
Some features of her own.

Just so, (and pointing with her hand)
So shone, says she, my eyes,
When from two goddesses I gain'd
An apple for a prize.

When in the glass and river too
My face I lately view'd,
Such was I, if the glass be true,
If true the crystal flood.

In colours of this glorious kind
Apelles painted me;
My hair, thus flowing with the wind
Sprung from my native sea.

Like this disorder'd, wild, forlorn,
Big with ten thousand fears,
Thee, my Adonis, did I mourn
E'en beautiful in tears.

But viewing Myra placed apart,
I fear, says she, I fear,
Appelles, that Sir Godfrey's art
Has far surpass...

The Sceptics think 'twas long ago
Since gods came down incognito
To see who were their friends or foes,
And how our actions fell or rose;
That since they gave things their beginning,
And set this whirligig a-spinning,
Supine they in their heaven remain,
Exempt from passion and from pain,
And frankly leave us human elves
To cut and shuffle for ourselves;
To stand or walk, to rise or tumble,
As matter and as motion jumble.

The poets now, and painters, hold
This thesis both absurd and bold,
And your good-natured gods, they say,
Descend some twice or thrice a-day,
Else all these things we toil so hard in
Would not avail one single farthing;
For when the hero we rehearse
To grace his actions and our verse,
'Tis not by dint of human thought...

Celia and I the other Day
Walk'd o'er the Sand-Hills to the Sea:
The setting Sun adorn'd the Coast,
His Beams entire, his Fierceness lost:
And, on the Surface of the Deep,
The Winds lay only not asleep:
The Nymph did like the Scene appear,
Serenely pleasant, calmly fair:
Soft fell her words, as flew the Air.
With secret Joy I heard Her say,
That She would never miss one Day
A Walk so fine, a Sight so gay.

But, oh the Change! the Winds grow high:
Impending Tempests charge the Sky:
The Lightning flies: the Thunder roars:
And big Waves lash the frighten'd Shoars.
Struck with the Horror of the Sight,
She turns her Head, and wings her Flight;
And trembling vows, She'll ne'er again
Approach the Shoar, or view the Main.

Once more at le...

Venus, take my votive glass:
Since I am not what I was,
What from this day I shall be,
Venus, let me never see.

The merchant, to secure his treasure,
Conveys it in a borrowed name:
Euphelia serves to grace my measure,
But Cloe is my real flame.

My softest verse, my darling lyre
Upon Euphelia's toilet lay
When Cloe noted her desire
That I should sing, that I should play.

My lyre I tune, my voice I raise,
But with my numbers mix my sighs;
And whilst I sing Euphelia's praise,
I fix my soul on Cloe's eyes.

Fair Cloe blushed; Euphelia frowned:
I sung, and gazed; I played, and trembled:
And Venus to the Loves around
Remarked how ill we all dissembled.

Two mice, dear boy, of genteel fashion,
And, what is more, good education,
Frolic and gay, in infant years
Equally shared their parents' cares.
The sire of these two babes (poor creature)
Paid his last debt to human nature;
A wealthy widow left behind,
Four babes, three male, one female kind,
The sire being under ground, and buried,
'Twas thought his spouse would soon have married;
Matches proposed, and numerous suitors,
Most tender husbands, careful tutors,
She modestly refused, and show'd
She'd be a mother to her brood.

Mother, dear mother, that endearing thought
Has thousand and ten thousand fancies brought.
Tell me, oh! tell me (thou art now above)
How to describe thy true maternal love,
Thy early pangs, thy growing anxious cares,
Thy ...

Her time with equal prudence Silvia shares,
First writes her billet-doux, then says her prayers,
Her mass and toilette, vespers, and the play;
Thus God and Ashtaroth divide the day:
Constant she keeps her Ember-week and Lent,
At Easter calls all Israel to her tent:
Loose without bawd, and pious without zeal,
She still repeats the sins she would conceal.
Envy herself from Silvia's life must grant,
An artful woman makes a modern saint.

The circling months begin this day
To run their yearly ring,
And long-breathed time, which ne'er will stay,
Refits his wings and shoots away,
It round again to bring.
Who feels the force of female eyes
And thinks some nymph divine,
Now brings his annual sacrifice,
Some pretty toy or neat device
To offer at her shrine.
But I can pay no offering
To show how I adore,
Since I have but a heart to bring,
A downright foolish, faithful thing,
And that you had before.
Yet we may give, for custom sake,
What will to both be new:
My constancy a gift I'll make
And in return of it will take
Some levity from you.

Written three hundred years since.

Be it right or wrong, these men among
On women do complayne;
Affyrmynge this, how that it is
A labour spent in vaine
To love them wele; for never a dele
They love a man againe:
For lete a man do what he can
Ther favour to attayne,
Yet yf a new do them pursue,
Ther furst trew lover than
Laboureth for nought; for from her thought
He is a banishyd man.
I say not nay, but that all day
It is bothe writ and sayde
That woman's fayth is as who saythe,
All utterly decayed.
But nevertheless right good witness
I' this case might be layde,
That they love trewe, and continew,
Record the Nut-brown Mayde;
Which from her love (whan her to prove
He came to make his mone)
Wold not depart, for in her her...

That all from Adam first began,
None but ungodly Whiston doubts,
And that his son and his son's son
Were all but ploughmen, clowns, and louts.

Each when his rustic pains began
To merit pleaded equal right;
'Twas only who left off at noon,
Or who went on to work till night.

But coronets we owe to crowns,
And favour to a court's affection;
By nature we are Adam's sons,
And sons of Anstis by election.

Kingsale! eight hundred years have roll'd
Since thy forefathers had the plough;
When this in story shall be told,
Add, that my kindred do so now.

The man who by his labour gets
His bread in independent state,
Who never begs, and seldom eats,
Himself can fix or change his fate.

Prometheus, forming Mr. Day,
Carved something like a man in clay:
The mortal's work might well miscarry;
He that does heaven and earth control
Has only power to form a soul;
His hand is evident in Harry,
Since one is but a moving clod,
Th' other the lively form of God.
'Squire Wallis, you will scarce be able
To prove all poetry but fable.

Lysander talks extremely well;
On any subject let him dwell
His tropes and figures will content ye
He should possess to all degrees
The art of talk; he practises
Full fourteen hours in four-and-twenty.

What nymph should I admire or trust,
But Chloe beauteous, Chloe just?
What nymph should I desire to see,
But her who leaves the plain for me?
To whom should I compose the lay,
But her who listens when I play?
To whom in song repeat my cares,
But her who in my sorrow shares?
For whom should I the garland make,
But her who joys the gift to take,
And boasts she wears it for my sake?
In love am I not fully blest?
Lisetta, prithee tell the rest.

Lisetta's Reply:

Sure Chloe just, and Chloe fair,
Deserves to be your only care;
But, when you and she to-day
Far into the wood did stray,
And I happen'd to pass by,
Which way did you cast your eye?
But, when your cares to her you sing,
You dare not tell her whence they spring:
Does...

I sent for Ratcliffe, was so ill,
That other doctors gave me over,
He felt my pulse, prescribed his pill,
And I was likely to recover.

But when the wit began to wheeze,
And wine had warm'd the politician,
Cured yesterday of my disease,
I died last night of my physician.

Hah! how the laurel, great Apollo's tree,
And all the cavern shakes! Far off, far off,
The man that is unhallow'd: for the god,
The god approaches. Hark! he knocks; the gates
Feel the glad impulse, and the sever'd bars
Submissive clink against their brazen portals.
Why do the Delian palms incline their boughs,
Self-moved, and hovering swans, their throats released
From native silence, carol sounds harmonious?

Begin young men the hymn: let all your harps
Break their inglorious silence, and the dance,
In mystic numbers trod, explain the music,
But first by ardent prayer and clear lustration
Purge the contagious spots of human weakness:
Impure no mortal can behold Apollo.
So may ye flourish favour'd by the god,
In youth with happy nuptials, and in age
...

While with labour assiduous due pleasure I mix,
And in one day atone for the business of six,
In a little Dutch chaise, on a Saturday night,
On my left hand my Horace, a W* on my right
No memoirs to compose, and no postboy to move,
That on Sunday may hinder the softness of love;
For her, neither visits, nor parties at tea,
Nor the long-winded cant of a dull refugee:
This night and the next shall be here, shall be mine,
To good or ill fortune the third we resign:
Thus scorning the world, and superior to fate,
I drive on my car in processional state;
So with Phia through Athens Pisistratus rode,
Men thought her Minerva, and him a new god.
But why should I stories of Athens rehearse,
Where people knew love, and were partial to verse;
Since none can with justice m...