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Oliver Goldsmith

Oliver Goldsmith was an Irish novelist, playwright, and poet, best known for his novel 'The Vicar of Wakefield' (1766), his pastoral poem 'The Deserted Village' (1770), and his play 'She Stoops to Conquer' (1773). He was a versatile writer with works ranging from prose to poetry to drama and was a central figure in the literary circle known as the 'Club' alongside Samuel Johnson and Edmund Burke. His writing often depicted rural life and he became an important part of 18th-century English literature.

November 10, 1728

April 4, 1774

English

Oliver Goldsmith

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A New Simile

IN THE MANNER OF SWIFT

Long had I sought in vain to find
A likeness for the scribbling kind;
The modern scribbling kind, who write
In wit, and sense, and nature's spite:
Till reading, I forget what day on,
A chapter out of Tooke's Pantheon,
I think I met with something there,
To suit my purpose to a hair;
But let us not proceed too furious,
First please to turn to god Mercurius;
You'll find him pictur'd at full length
In book the second, page the tenth:
The stress of all my proofs on him I lay,
And now proceed we to our simile.

Imprimis, pray observe his hat,
Wings upon either side mark that.
Well! what is it from thence we gather?
Why these denote a brain of feather.
A brain of feather! very right,
With wit that's flighty, lear...

Oliver Goldsmith

A Sonnet

Weeping, murmuring, complaining,
Lost to every gay delight;
MYRA, too sincere for feigning,
Fears th' approaching bridal night.

Yet, why impair thy bright perfection?
Or dim thy beauty with a tear?
Had MYRA followed my direction,
She long had wanted cause of fear.

Oliver Goldsmith

An Elegy On That Glory Of Her Sex, Mrs. Mary Blaize

Good people all, with one accord,
Lament for Madam BLAIZE,
Who never wanted a good word
'From those who spoke her praise'.

The needy seldom pass'd her door,
And always found her kind;
She freely lent to all the poor,
'Who left a pledge behind'.

She strove the neighbourhood to please,
With manners wond'rous winning,
And never follow'd wicked ways,
'Unless when she was sinning'.

At church, in silks and satins new,
With hoop of monstrous size,
She never slumber'd in her pew,
'But when she shut her eyes'.

Her love was sought, I do aver,
By twenty beaux and more;
The king himself has follow'd her,
'When she has walk'd before'.

But now her wealth and finery fled,
Her hangers-on cut short all;
The doctors fo...

Oliver Goldsmith

An Epigram Addressed To The Gentlemen Reflected On In The Rosciad, A Poem, By The Author

Worried with debts and past all hopes of bail,
His pen he prostitutes t' avoid a gaol.
ROSCOM.



Let not the 'hungry' Bavius' angry stroke
Awake resentment, or your rage provoke;
But pitying his distress, let virtue shine,
And giving each your bounty, 'let him dine';
For thus retain'd, as learned counsel can,
Each case, however bad, he'll new japan;
And by a quick transition, plainly show
'Twas no defect of yours, but 'pocket low',
That caused his 'putrid kennel' to o'erflow.

Oliver Goldsmith

Description Of An Author's Bedchamber

Where the Red Lion flaring o'er the way,
Invites each passing stranger that can pay;
Where Calvert's butt, and Parsons' black champagne,
Regale the drabs and bloods of Drury-lane;
There in a lonely room, from bailiffs snug,
The Muse found Scroggen stretch'd beneath a rug;
A window, patch'd with paper, lent a ray,
That dimly show'd the state in which he lay;
The sanded floor that grits beneath the tread;
The humid wall with paltry pictures spread:
The royal game of goose was there in view,
And the twelve rules the royal martyr drew;
The seasons, fram'd with listing, found a place,
And brave prince William show'd his lamp-black face:
The morn was cold, he views with keen desire
The rusty grate unconscious of a fire;
With beer and milk arrears the frieze was scor...

Oliver Goldsmith

Edwin And Angela - A Ballad

'Turn, gentle hermit of the dale,
And guide my lonely way,
To where yon taper cheers the vale
With hospitable ray.

'For here, forlorn and lost I tread,
With fainting steps and slow;
Where wilds immeasurably spread,
Seem length'ning as I go.'

'Forbear, my son,' the hermit cries,
'To tempt the dangerous gloom;
For yonder faithless phantom flies
To lure thee to thy doom.

'Here to the houseless child of want
My door is open still;
And though my portion is but scant,
I give it with good will.

'Then turn to-night, and freely share
Whate'er my cell bestows;
My rushy couch, and frugal fare,
My blessing and repose.

'No flocks that range the valley free
To slaughter I condemn:
Taught by that power that pities m...

Oliver Goldsmith

Elegy On The Death Of A Mad Dog

Good people all, of every sort,
Give ear unto my song;
And if you find it wond'rous short,
It cannot hold you long.

In Islington there was a man,
Of whom the world might say,
That still a godly race he ran,
Whene'er he went to pray.

A kind and gentle heart he had,
To comfort friends and foes;
The naked every day he clad,
When he put on his clothes.

And in that town a dog was found,
As many dogs there be,
Both mongrel, puppy, whelp, and hound,
And curs of low degree.

This dog and man at first were friends;
But when a pique began,
The dog, to gain some private ends,
Went mad and bit the man.

Around from all the neighbouring streets
The wond'ring neighbours ran,
And swore the dog had lost his wits,
...

Oliver Goldsmith

Epilogue For Mr. Lee Lewes

Hold! Prompter, hold! a word before your nonsense;
I'd speak a word or two, to ease my conscience.
My pride forbids it ever should be said,
My heels eclips'd the honours of my head;
That I found humour in a piebald vest,
Or ever thought that jumping was a jest.
('Takes off his mask.')
Whence, and what art thou, visionary birth?
Nature disowns, and reason scorns thy mirth,
In thy black aspect every passion sleeps,
The joy that dimples, and the woe that weeps.
How has thou fill'd the scene with all thy brood,
Of fools pursuing, and of fools pursu'd!
Whose ins and outs no ray of sense discloses,
Whose only plot it is to break our noses;
Whilst from below the trap-door Demons rise,
And from above the dangling deities;
And shall I mix in this unhallow'd crew?<...

Oliver Goldsmith

Epilogue Intended To Have Been Spoken For 'She Stoops To Conquer'

'Enter' MRS. BULKLEY,
'who curtsies very low as beginning to speak.
Then enter' MISS CATLEY,
'who stands full before her, and curtsies to the audience'.

MRS. BULKELEY.
HOLD, Ma'am, your pardon. What's your business here?

MISS CATLEY.
The Epilogue.

MRS. BULKLEY.
The Epilogue?

MISS CATLEY.
Yes, the Epilogue, my dear.

MRS. BULKLEY.
Sure you mistake, Ma'am. The Epilogue, 'I' bring it.

MISS CATLEY.
Excuse me, Ma'am. The Author bid 'me' sing it.

'Recitative'.
Ye beaux and belles, that form this splendid ring,
Suspend your conversation while I sing.

MRS. BULKLEY.
Why, sure the girl's beside herself: an Epilogue of singing,
A hopeful end indeed to such a blest beginning.
Besides, a singer in...

Oliver Goldsmith

Epilogue Intended To Have Been Spoken For 'She Stoops To Conquer'

There is a place, so Ariosto sings,
A treasury for lost and missing things;
Lost human wits have places assign'd them,
And they, who lose their senses, there may find them.
But where's this place, this storehouse of the age?
The Moon, says he: but 'I' affirm the Stage:
At least in many things, I think, I see
His lunar, and our mimic world agree.
Both shine at night, for, but at Foote's alone,
We scarce exhibit till the sun goes down.
Both prone to change, no settled limits fix,
And sure the folks of both are lunatics.
But in this parallel my best pretence is,
That mortals visit both to find their senses.
To this strange spot, Rakes, Macaronies, Cits
Come thronging to collect their scatter'd wits.
The gay coquette, who ogles all the day,
Comes here at nigh...

Oliver Goldsmith

Epilogue To 'She Stoops To Conquer'

Well, having stoop'd to conquer with success,
And gain'd a husband without aid from dress,
Still, as a Bar-maid, I could wish it too,
As I have conquer'd him, to conquer you:
And let me say, for all your resolution,
That pretty Bar-maids have done execution.
Our life is all a play, compos'd to please,
'We have our exits and our entrances.'
The First Act shows the simple country maid,
Harmless and young, of ev'ry thing afraid;
Blushes when hir'd, and, with unmeaning action,
'I hopes as how to give you satisfaction.'
Her Second Act displays a livelier scene
Th' unblushing Bar-maid of a country inn,
Who whisks about the house, at market caters,
Talks loud, coquets the guests, and scolds the waiters.
Next the scene shifts to town, and there she soars,
The cho...

Oliver Goldsmith

Epilogue To 'The Good Natur'd Man'

As puffing quacks some caitiff wretch procure
To swear the pill, or drop, has wrought a cure;
Thus on the stage, our play-wrights still depend
For Epilogues and Prologues on some friend,
Who knows each art of coaxing up the town,
And make full many a bitter pill go down.
Conscious of this, our bard has gone about,
And teas'd each rhyming friend to help him out.
'An Epilogue things can't go on without it;
It could not fail, would you but set about it.'
'Young man,' cries one a bard laid up in clover
'Alas, young man, my writing days are over;
Let boys play tricks, and kick the straw; not I:
Your brother Doctor there, perhaps, may try.'
'What I? dear Sir,' the Doctor interposes
'What plant my thistle, Sir, among his roses!
No, no; I've other contests t...

Oliver Goldsmith

Epilogue To 'The Sister'

What! five long acts and all to make us wiser!
Our authoress sure has wanted an adviser.
Had she consulted 'me', she should have made
Her moral play a speaking masquerade;
Warm'd up each bustling scene, and in her rage
Have emptied all the green-room on the stage.
My life on't, this had kept her play from sinking;
Have pleas'd our eyes, and sav'd the pain of thinking.
Well! since she thus has shown her want of skill,
What if I give a masquerade? I will.
But how? ay, there's the rub! ('pausing') I've got my cue:
The world's a masquerade! the maskers, you, you, you.
('To Boxes, Pit, and Gallery'.)
____, what a group the motley scene discloses!
False wits, false wives, false virgins, and false spouses!
Statesmen with bridles on; and, close beside 'em,
Patri...

Oliver Goldsmith

Epitaph On Edward Purdon

Here lies poor Ned Purdon, from misery freed,
Who long was a bookseller's hack;
He led such a damnable life in this world,
I don't think he'll wish to come back.

Oliver Goldsmith

Epitaph On Thomas Parnell

This tomb, inscrib'd to gentle Parnell's name,
May speak our gratitude, but not his fame.
What heart but feels his sweetly-moral lay,
That leads to truth through pleasure's flowery way!
Celestial themes confess'd his tuneful aid;
And Heaven, that lent him genius, was repaid.
Needless to him the tribute we bestow
The transitory breath of fame below:
More lasting rapture from his works shall rise,
While Converts thank their poet in the skies.

Oliver Goldsmith

Letter In Prose And Verse To Mrs. Bunbury

MADAM,

I read your letter with all that allowance which critical candour could require, but after all find so much to object to, and so much to raise my indignation, that I cannot help giving it a serious answer.

I am not so ignorant, Madam, as not to see there are many sarcasms contained in it, and solecisms also. (Solecism is a word that comes from the town of Soleis in Attica, among the Greeks, built by Solon, and applied as we use the word Kidderminster for curtains, from a town also of that name; but this is learning you have no taste for!) I say, Madam, there are sarcasms in it, and solecisms also. But not to seem an ill-natured critic, I'll take leave to quote your own words, and give you my remarks upon them as they occur. You begin as follows:

'I hope, my good Doctor, you soon will be here,
A...

Oliver Goldsmith

Of The Death Of The Right Hon. ***

Ye Muses, pour the pitying tear
For Pollio snatch'd away;
O! had he liv'd another year!
'He had not died to-day'.

O! were he born to bless mankind,
In virtuous times of yore,
Heroes themselves had fallen behind!
'Whene'er he went before'.

How sad the groves and plains appear,
And sympathetic sheep;
Even pitying hills would drop a tear!
'If hills could learn to weep'.

His bounty in exalted strain
Each bard might well display;
Since none implor'd relief in vain!
'That went reliev'd away'.

And hark! I hear the tuneful throng
His obsequies forbid,
He still shall live, shall live as long!
'As ever dead man did'.

Oliver Goldsmith

On A Beautiful Youth Struck Blind With Lightning

Sure 'twas by Providence design'd,
Rather in pity, than in hate,
That he should be, like Cupid, blind,
To save him from Narcissus' fate.

Oliver Goldsmith

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