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If Nature do denyColours, let Art supply.
Robert Herrick
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Robert Herrick was a 17th-century English lyric poet and cleric. He is known for his book of poems, "Hesperides," which includes the carpe diem poem "To the Virgins, to Make Much of Time." His works are noted for their clarity, simplicity, and musical quality. Herrick was also a vicar of Dean Prior in Devon, despite being ejected during the English Civil War and later reinstated.
Pidgin
Explore a curated selection of verses that share themes, styles, and emotional resonance with the poem you've just read.
Heaven.
Robert Herrick, Simple Poetry
Rapine Brings Ruin.
The Will The Cause Of Woe.
Expenses Exhaust.
Upon A Painted Gentlewoman
Men say you're fair; and fair ye are, 'tis true;But, hark! we praise the painter now, not you.
Art Above Nature: To Julia
When I behold a forest spreadWith silken trees upon thy head;And when I see that other dressOf flowers set in comeliness;When I behold another graceIn the ascent of curious lace,Which, like a pinnacle, doth shewThe top, and the top-gallant too;Then, when I see thy tresses boundInto an oval, square, or round,And knit in knots far more than I.Can tell by tongue, or True-love tie;Next, when those lawny films I seePlay with a wild civility;And all those airy silks to flow,Alluring me, and tempting so,I must confess, mine eye and heartDotes less on nature than on art.
To The Painter, To Draw Him A Picture.
Come, skilful Lupo, now, and takeThy bice, thy umber, pink, and lake;And let it be thy pencil's strife,To paint a Bridgeman to the life:Draw him as like too, as you can,An old, poor, lying, flattering man:His cheeks bepimpled, red and blue;His nose and lips of mulberry hue.Then, for an easy fancy, placeA burling iron for his face:Next, make his cheeks with breath to swell,And for to speak, if possible:But do not so, for fear lest heShould by his breathing, poison thee.
His Protestation To Perilla.
Noonday and midnight shall at once be seen:Trees, at one time, shall be both sere and green:Fire and water shall together lieIn one self-sweet-conspiring sympathy:Summer and winter shall at one time showRipe ears of corn, and up to th' ears in snow:Seas shall be sandless; fields devoid of grass;Shapeless the world, as when all chaos was,Before, my dear Perilla, I will beFalse to my vow, or fall away from thee.
Consistency
Should painter attach to a fair human headThe thick, turgid neck of a stallion,Or depict a spruce lass with the tail of a bass,I am sure you would guy the rapscallion.Believe me, dear Pisos, that just such a freakIs the crude and preposterous poemWhich merely abounds in a torrent of sounds,With no depth of reason below 'em.'T is all very well to give license to art,--The wisdom of license defend I;But the line should be drawn at the fripperish spawnOf a mere cacoethes scribendi.It is too much the fashion to strain at effects,--Yes, that's what's the matter with Hannah!Our popular taste, by the tyros debased,Paints each barnyard a grove of Diana!Should a patron require you to paint a marine,Would you work in ...
Eugene Field
To A Painter
All praise the Likeness by thy skill portrayed;But 'tis a fruitless task to paint for me,Who, yielding not to changes Time has made,By the habitual light of memory seeEyes unbedimmed, see bloom that cannot fade,And smiles that from their birth-place ne'er shall fleeInto the land where ghosts and phantoms be;And, seeing this, own nothing in its stead.Couldst thou go back into far-distant years,Or share with me, fond thought! that inward eye,Then, and then only, Painter! could thy ArtThe visual powers of Nature satisfy,Which hold, whate'er to common sight appears,Their sovereign empire in a faithful heart.
William Wordsworth